Siblings Nicholas and Christopher Kunz found inspiration in “The Cabinet of Dr. Caligari,” a 1920 German silent horror film. “It’s very distorted,” said Nicholas, citing its Expressionist themes and stylized sets. “If you watch it now, it actually looks very modern.” The duo’s dark, brooding beauties strutted the runway in long, capelike knits, floor-length coats with fur collars, sheer silk dresses in hand-dyed labyrinth prints and aviator skullcaps. Leather and hardware accented the drapy separates, mostly in black and brown tinged with pops of red and burgundy, while a series of pin-striped suits — cut loose to the body, some with drop-crotch pants — were anything but your standard nine-to-five attire.
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