Eudon Choi played with the trenchcoat and the shirt, gussying them up with drawstrings, streamers, off-kilter capes and asymmetric panels.
It was a stab at giving Victorian drama to summery, minimalist clothes in pale cottons or natural linen. While many of the exits were overloaded with details, a pair of belted coatdresses in languid matte-and-shine viscose captured that allure.