Nasir Mazhar rendered his tough, street-inspired shapes all in black as a palate cleanser.
“There was too much color, too many logos in the past. I wanted to go back to nothing, and to the ideas that are going to come in 2016,” said the designer after the show.
The looks were hard-edged and best suited to the stage (Mazhar has worked for the theatrical designer Mark Wheeler) with lots of texture and flourish that the designer would do well to develop as the seasons roll on.
Bomber jackets and tracksuit bottoms were covered with waves of sculpted pleats or origami folds while jeans came with whip-stitching down the sides of the legs.
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Men and women alike wore a combination of short shorts and padded leg pieces that started mid-thigh and stopped at the ankle, exposing an expanse of flesh.
Sexy? Yes. Varied? Not really. Mazhar needs to offer up a bigger variety next time around.