There was a rich, bohemian — and dreamy — quality to this collection that saw models positioned around a monolithic concrete cylinder, forcing the audience to circulate around them.
Florals bloomed across the clothes: Embroidered, sequined flowers were sewn onto black shift dresses or cocooning black overcoats, while a print adorned a blouse with an extravagant bow at the neck. There was also an abstract argyle pattern, which the designer worked in pink, navy and gray print on a silk dress.
This easy collection also showcased Lupfer’s new line of bags, which he produces in Italy. They included leather cross-body bags and boxy top handle bags, encrusted with rhinestones or lip-shaped gold studs.