• ‘About Time: Fashion and Duration” Exhibit at The Met

    Visitors to “About Time” will hear the tick-tock of the Es Devlin-designed pendulum.
    Image Credit: Masato Onoda/WWD

    Visitors to “About Time” will hear the tick-tock of the Es Devlin-designed pendulum.

  • ‘About Time: Fashion and Duration” Exhibit at The Met

    In response to the economic crisis and ailing textiles industry of the 1880s, Charles Frederick Worth reintroduced the bustle.
    Image Credit: Masato Onoda/WWD

    In response to the economic crisis and ailing textiles industry of the 1880s, Charles Frederick Worth reintroduced the bustle.

  • ‘About Time: Fashion and Duration” Exhibit at The Met

    A panoramic view of “About Time: Fashion and Duration" at The Met.
    Image Credit: Masato Onoda/WWD

    A panoramic view of “About Time: Fashion and Duration” at The Met.

  • ‘About Time: Fashion and Duration” Exhibit at The Met

    Charles James’ ivory silk satin gown from 1948 was a precursor to otherworldly silhouettes.
    Image Credit: Masato Onoda/WWD

    Charles James’ ivory silk satin gown from 1948 was a precursor to otherworldly silhouettes.

  • ‘About Time: Fashion and Duration” Exhibit at The Met

    Gabrielle Chanel designed versions of her signature suit until her death in 1971. Here, one of her designs from 1963 and one from Karl Lagerfeld for Chanel in 1994.
    Image Credit: Masato Onoda/WWD

    Gabrielle Chanel designed versions of her signature suit until her death in 1971. Here, one of her designs from 1963 and one from Karl Lagerfeld for Chanel in 1994.

  • ‘About Time: Fashion and Duration” Exhibit at The Met

    The extreme cut of Alexander McQueen’s “Bumster” skirt changed the proportions of the body and created an elongated torso.
    Image Credit: Masato Onoda/WWD

    The extreme cut of Alexander McQueen’s “Bumster” skirt changed the proportions of the body and created an elongated torso.

  • ‘About Time: Fashion and Duration” Exhibit at The Met

    A Morin Blossier riding jacket from 1902 and a Louis Vuitton ensemble by Nicola Ghesquière for spring 2018.
    Image Credit: Masato Onoda/WWD

    A Morin Blossier riding jacket from 1902 and a Louis Vuitton ensemble by Nicola Ghesquière for spring 2018.

  • ‘About Time: Fashion and Duration” Exhibit at The Met

    A repurposed jacket by John Galliano for Martin Margiela and Yves Saint Laurent’s “Chicago” jacket for Dior.
    Image Credit: Masato Onoda/WWD

    A repurposed jacket by John Galliano for Martin Margiela and Yves Saint Laurent’s “Chicago” jacket for Dior.

  • ‘About Time: Fashion and Duration” Exhibit at The Met

    An example of Vivienne Westwood’s and Malcolm McLaren’s anarchistic street style with a spring 2003 ensemble from Junya Watanabe.
    Image Credit: Masato Onoda/WWD

    An example of Vivienne Westwood’s and Malcolm McLaren’s anarchistic street style with a spring 2003 ensemble from Junya Watanabe.

  • ‘About Time: Fashion and Duration” Exhibit at The Met

    The gigot or “leg-o’-mutton sleeve surfaced as a trend in the 1890s. Here, an 1895 Mrs. Arnold evening dress and a Commes des Garçons ensemble from fall 2004.
    Image Credit: Masato Onoda/WWD

    The gigot or “leg-o’-mutton sleeve surfaced as a trend in the 1890s. Here, an 1895 Mrs. Arnold evening dress and a Commes des Garçons ensemble from fall 2004.

  • ‘About Time: Fashion and Duration” Exhibit at The Met

    Issey Miyake’s “Flying Saucer” dress from 1994 and Mariano Fortuny y Madrazo’s “Delphos” dress from 1930.
    Image Credit: Masato Onoda/WWD

    Issey Miyake’s “Flying Saucer” dress from 1994 and Mariano Fortuny y Madrazo’s “Delphos” dress from 1930.

  • ‘About Time: Fashion and Duration” Exhibit at The Met

    From left, a Christian Dior evening dress from fall 1949, a Viktor & Rolf ensemble from spring 2005 and a Madeleine Vionnet evening dress from 1939.
    Image Credit: Masato Onoda/WWD

    From left, a Christian Dior evening dress from fall 1949, a Viktor & Rolf ensemble from spring 2005 and a Madeleine Vionnet evening dress from 1939.

  • ‘About Time: Fashion and Duration” Exhibit at The Met

    This Iris van Herpen biomorphic shape borrows from hylozoism, which suggests that all matter is animated.
    Image Credit: Masato Onoda/WWD

    This Iris van Herpen biomorphic shape borrows from hylozoism, which suggests that all matter is animated.

  • ‘About Time: Fashion and Duration” Exhibit at The Met

    This rose dress designed by Sarah Burton for Alexander McQueen was inspired by a trip to her childhood home in the north of England and the area’s textile mills.
    Image Credit: Masato Onoda/WWD

    This rose dress designed by Sarah Burton for Alexander McQueen was inspired by a trip to her childhood home in the north of England and the area’s textile mills.

  • ‘About Time: Fashion and Duration” Exhibit at The Met

    An 1870 American mourning dress with a 1939 Elsa Schiaparelli evening dress.
    Image Credit: Masato Onoda/WWD

    An 1870 American mourning dress with a 1939 Elsa Schiaparelli evening dress.

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