‘About Time: Fashion and Duration” Exhibit at The Met
Visitors to “About Time” will hear the tick-tock of the Es Devlin-designed pendulum.
Visitors to “About Time” will hear the tick-tock of the Es Devlin-designed pendulum.
In response to the economic crisis and ailing textiles industry of the 1880s, Charles Frederick Worth reintroduced the bustle.
A panoramic view of “About Time: Fashion and Duration” at The Met.
Charles James’ ivory silk satin gown from 1948 was a precursor to otherworldly silhouettes.
Gabrielle Chanel designed versions of her signature suit until her death in 1971. Here, one of her designs from 1963 and one from Karl Lagerfeld for Chanel in 1994.
The extreme cut of Alexander McQueen’s “Bumster” skirt changed the proportions of the body and created an elongated torso.
A Morin Blossier riding jacket from 1902 and a Louis Vuitton ensemble by Nicola Ghesquière for spring 2018.
A repurposed jacket by John Galliano for Martin Margiela and Yves Saint Laurent’s “Chicago” jacket for Dior.
An example of Vivienne Westwood’s and Malcolm McLaren’s anarchistic street style with a spring 2003 ensemble from Junya Watanabe.
The gigot or “leg-o’-mutton sleeve surfaced as a trend in the 1890s. Here, an 1895 Mrs. Arnold evening dress and a Commes des Garçons ensemble from fall 2004.
Issey Miyake’s “Flying Saucer” dress from 1994 and Mariano Fortuny y Madrazo’s “Delphos” dress from 1930.
From left, a Christian Dior evening dress from fall 1949, a Viktor & Rolf ensemble from spring 2005 and a Madeleine Vionnet evening dress from 1939.
This Iris van Herpen biomorphic shape borrows from hylozoism, which suggests that all matter is animated.
This rose dress designed by Sarah Burton for Alexander McQueen was inspired by a trip to her childhood home in the north of England and the area’s textile mills.
An 1870 American mourning dress with a 1939 Elsa Schiaparelli evening dress.