Alexandre Plokhov
“The boys look like illegitimate children of Glenn
Danzig and Andrew Eldritch.” — Alexandre Plokhov
“The boys look like illegitimate children of Glenn
Danzig and Andrew Eldritch.” — Alexandre Plokhov
“Harmony and Juxtaposition; sharply tailored jackets and the ‘Sartorial Process’ — as a tribute to my dad. Mixed with elements of chic, luxurious, evoking a cocooning feeling with a slight street edge.” — Antonio Azzuolo
“The influence of the hunter & protector.” — Paulo Goncalves, Carlos Goncalves, Liam Fayed, James Fayed and Sam Fayed, Bespoken
“I spent some great time in Paris and London this past year, and I’ve thoroughly enjoyed mixing that vibe into the collection.” — Billy Reid
“The daydreamer, a man full of passion, and romantic love in forms both ideal and unspoken. The heritage-rich qualities and overall machismo of this collection will leave you both lovesick and thirsty for more.” — Carlos Campos
“New York Explorer.” — Donna Karan, DKNY Men
“SUPER DUCKIE.” — Daniel Silver and Steven Cox, Duckie Brown
“Eighties Boston and the Mod revival that was happening there at the time.” — Michael Bastian, GANT by Michael Bastian
“Athletes changing their uniforms after games in the locker room during the 1968 Grenoble Winter Olympics. It’s as if they are walking out with pride,that will show the true meaning of their theme: ‘After Games.’” — Bumsuk Choi, General Idea
“We explore the rebellious and restless nature of a man and his raw, youthful defiance and yearning for the new horizons…his quest for his own identity and a place in the world.” — Stefan Miljanich, Gilded Age
“An intellectual, sophisticated man. He’s proud of what he’s accomplished in life and reflects this in what he wears by curating himself in a sartorial manner.” — Hyden Yoo
“A portrait of Edward James looking polished and precise. We used indigo blues, racing greens and rich purples — imagine water on an oil slick — and our palette is that same kind of inky rainbow.” — Frank Muytjens, J.Crew
“‘We have forgotten how to be good guests, how to walk lightly on the earth as its other creatures do’ — Barbara Ward.” — John Bartlett
“Sporting Life in the City.” — Tommy Hilfiger
“Our fall 2012 collection exudes a very new and unexpected look for Levi’s — it features a much more refined and tailored approach rooted in craftsmanship.” — Levi’s Creative Design Team
“Urban Lodge.” — Michael Kors
“Mighty Mac.” — Daisuke Obana, N. Hoolywood
“Our road trip from Newport to Kennebunkport, and the many iconic watermen we met along the way. Sailmakers, dockhands, admirals and coastal prepsters — each inspired a statement in this collection.” — Chris Cox, Nautica
“EAGLE EYE.” — Nicole Kunz, Nicholas K
“ICE CLIMBING meets BUCKMINSTER FULLER/traveling aboard spaceship earth.” — Luis Fernandez, Number: Lab
“The friction between an authoritarian, heavily policed state and the moments of individual expression that emerge through its cracks and edges.” — Patrik Ervell
“Each season starts with our main character. He’s the classic loner who straddles the periphery, always on the outside edge looking in.” — Dao-Yi Chow and Maxwell Osborne, Public School
“Tailoring, a longer leaner silhouette and a more disheveled irreverent tailored look.” — Marcus Wainwright and David Neville, Rag & Bone
“The New York man, and its most representative areas, where diversity of styles mirror a city of immigrants from all over the world, and their style is that of a confident and free man.” — Ricardo Seco
“Richard Chai in the woods.” — Richard Chai
“Classic English men’s wear with youthful and energetic influences from the early ’80’s post-punk scene.” — Robert Geller
“Michael Jordan.” — Siki Im
“There is strange you can tell London in a man’s suit. Why is London such a wonderful place that it will speak to you even in a piece of cloth.” Richard Llewellyn, “How Green Was My Valley” — Simon Spurr
“Fast, Faster…energy of ‘Drive.’”— Tim Coppens
“Fast, Faster…energy of ‘Drive.’”— Tim Coppens
“Saturday: St. Marks Place.” — Timo Weiland and Alan Eckstein, Timo Weiland
“The collection resembles a found snapshot capturing all the finer points of early expat style. Dubbed American in Paris, the line offers a bohemian mélange of tailored topcoats and rough hewn military basics.” — Todd Snyder
“American 1930’s; reworked in a contemporary way revealing a collection of style and supreme masculine confidence.” — Bernardo Rojo, Joseph Abboud