• Delirious: Art at the Limits of Reason, 1950-1980

    Image Credit: Emile Askey

    Ana Mendieta (American, 1948–1985)

    Untitled (Glass on Body Imprints—Face)

    1972

    Eleven gelatin silver prints from a set of thirteen Each 10 × 8 in. (25.4 × 20.3 cm)
    Princeton University Art Museum, Museum purchase, Fowler McCormick, Class of 1921, Fund

    © Ana Mendieta (1948–1985)
    Photo by Princeton University Art Museum / Art Resource, NY

  • Delirious: Art at the Limits of Reason, 1950-1980

    Anna Maria Maiolino (Brazilian, 1942)

    In-Out Anthropophagy (In-Out antropofagia)

    from the series Photopoemaction (Fotopoemação) 1973/74
    Black and white analog photograph
    Photo by Max Nauenberg

    Courtesy the artist and Hauser & Wirth © Anna Maria Maiolino

  • Delirious: Art at the Limits of Reason, 1950-1980

    Anna Maria Maiolino (Brazilian, 1942)

    In-Out Anthropophagy (In-Out antropofagia)

    from the series Photopoemaction (Fotopoemação) 1973/74
    Black and white analog photograph
    Photo by Max Nauenberg

    Courtesy the artist and Hauser & Wirth © Anna Maria Maiolino

  • Delirious: Art at the Limits of Reason, 1950-1980

    Anna Maria Maiolino (Brazilian, 1942)

    In-Out Anthropophagy (In-Out antropofagia)

    from the series Photopoemaction (Fotopoemação) 1973/74
    Black and white analog photograph
    Photo by Max Nauenberg

    Courtesy the artist and Hauser & Wirth © Anna Maria Maiolino

  • Delirious: Art at the Limits of Reason, 1950-1980

    Anna Maria Maiolino (Brazilian, 1942)

    In-Out Anthropophagy (In-Out antropofagia)

    from the series Photopoemaction (Fotopoemação) 1973/74
    Black and white analog photograph
    Photo by Max Nauenberg

    Courtesy the artist and Hauser & Wirth © Anna Maria Maiolino

  • Delirious: Art at the Limits of Reason, 1950-1980

    Anna Maria Maiolino (Brazilian, 1942)

    In-Out Anthropophagy (In-Out antropofagia)

    from the series Photopoemaction (Fotopoemação) 1973/74
    Black and white analog photograph
    Photo by Max Nauenberg

    Courtesy the artist and Hauser & Wirth © Anna Maria Maiolino

  • Delirious: Art at the Limits of Reason, 1950-1980

    Anna Maria Maiolino (Brazilian, 1942)

    In-Out Anthropophagy (In-Out antropofagia)

    from the series Photopoemaction (Fotopoemação) 1973/74
    Black and white analog photograph
    Photo by Max Nauenberg

    Courtesy the artist and Hauser & Wirth © Anna Maria Maiolino

  • Delirious: Art at the Limits of Reason, 1950-1980

    Dara Birnbaum (American, born New York 1946)

    Chaired Anxieties: Slewed

    1975

    Single-channel video, black-and-white, sound, 13 min. 6 sec.
    Courtesy of Dara Birnbaum and Electronic Arts Intermix (EAI), New York

  • Delirious: Art at the Limits of Reason, 1950-1980

    Dean Fleming (American, born 1933)

    Snap Roll

    1965

    Acrylic on canvas
    653/4 × 995/8 in. (167 × 253.1 cm)
    Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1968 (G1968.54)
    © Dean Fleming
    Photo by George Helms

  • Delirious: Art at the Limits of Reason, 1950-1980

    2003-094-001, 01/01/1904, 02:21 AM,  8C, 4480x4430 (18+760), 75%, bent 6 stops,   1/8 s, R124.5, G77.6, B105.2

    Edna Andrade (American, 1917–2008)

    Color Motion 4-64

    1964

    Oil on canvas
    48 × 48 in. (121.9 × 121.9 cm)
    Philadelphia Museum of Art, Gift of Frederick R. McBrien III, 2003 (2003-94-1) © Estate of Edna Andrade

  • Delirious: Art at the Limits of Reason, 1950-1980

    JazzmenTorn posters mounted on canvas1961
    Image Credit: Villegle

    Jacques Mahé de la Villeglé (French, born 1926)

    Jazzmen

    1961

    Torn posters mounted on canvas
    857/16 × 6911/16 in. (217 × 177 cm)
    Tate, Presented by the Friends of the Tate Gallery 2000 (T07619)

  • Delirious: Art at the Limits of Reason, 1950-1980

    Image Credit: painting-easel

    Jim Nutt (American, born 1938)

    Miss E. Knows

    1967

    Acrylic on Plexiglas with aluminum and rubber; enamel on wood frame 755/8 × 515/8 in. (192.1 × 131.1 cm)
    The Art Institute of Chicago, Twentieth-Century Purchase Fund (1970.1014) The Art Institute of Chicago / Art Resource, NY

     

    Jim Nutt (American, born 1938)

    Miss E. Knows

    1967

    Acrylic on Plexiglas with aluminum and rubber; enamel on wood frame 755/8 × 515/8 in. (192.1 × 131.1 cm)
    The Art Institute of Chicago, Twentieth-Century Purchase Fund (1970.1014) The Art Institute of Chicago / Art Resource, NY

  • Delirious: Art at the Limits of Reason, 1950-1980

    Jim Nutt (American, born 1938)

    Miss E. Knows

    1967

    Acrylic on Plexiglas with aluminum and rubber; enamel on wood frame 755/8 × 515/8 in. (192.1 × 131.1 cm)
    The Art Institute of Chicago, Twentieth-Century Purchase Fund (1970.1014) The Art Institute of Chicago / Art Resource, NY

  • Delirious: Art at the Limits of Reason, 1950-1980

    Image Credit: Staub

    Lee Lozano (American, 1930–1999)

    Untitled (Stoned Drunk Sober; Pot Baller/Pun; Throwing Up Piece), vol. 2, p. 38, no. 401
    1969
    Ink on graph paper

    11 × 81/2 in. (27.9 × 21.6 cm) Private Collection

  • Delirious: Art at the Limits of Reason, 1950-1980

    Bruce Nauman (American, born 1941)
    Human Nature/Life Death

    1983

    Neon tubing with clear glass tubing suspension frames 72×72×4in.(182.9×182.9×10.2cm)
    The Art Institute of Chicago, Acquired from City of Chicago Public Art Program Collection, through prior gifts of Florence S. McCormick and Emily Crane Chadbourne (2004.151)
    © 2017 Bruce Nauman / Artists Rights Society (ARS), New York; Photo: The Art Institute of Chicago / Art Resource, NY

  • Delirious: Art at the Limits of Reason, 1950-1980

    Image Credit: Hyla Skopitz

    Paul Sharits (American, 1943–1993)

    Cellular Disorder 3

    ca. 1985

    Ink marker on paper
    17 × 22 in. (43.2 × 55.9 cm)
    The Metropolitan Museum of Art, New York, Purchase, Everett Hoffman Gift, 2014 © Paul Sharits
    Courtesy The Metropolitan Museum of Art

  • Delirious: Art at the Limits of Reason, 1950-1980

    Thek, Paul
    Image Credit: Robert Gerhardt and Denis Y. Sus

    Paul Thek (American, 1933–1988)
    Untitled from the series Technological Reliquaries
    1966
    Wax, paint, polymer resin, nylon monofilament, wire, plaster, plywood, melamine laminate, rhodium-plated bronze, and acrylic
    14 × 151/8 × 71/2 in. (35.6 × 38.3 × 19.1 cm)
    Whitney Museum of American Art, New York,
    Purchase, with funds from the Painting and Sculpture Committee (93.14)
    © The Estate of George Paul Thek; courtesy Alexander and Bonin, New York

  • Delirious: Art at the Limits of Reason, 1950-1980

    Peter Saul (American, born 1934)

    Criminal Being Executed

    1964

    Oil on canvas
    75 × 631/8 in. (190.5 × 160.3 cm)
    Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991 (1991.321)
    Photo by Rick Hall

  • Delirious: Art at the Limits of Reason, 1950-1980

    Philip Guston (American, 1913–1980)

    The Street

    1977

    Oil on canvas
    69 in. × 9 ft. 3 in. (175.3 × 281.9 cm)
    The Metropolitan Museum of Art, New York, Purchase, Lila Acheson Wallace and Mr. and Mrs. Andrew Saul Gifts, Gift of George A. Hearn, by exchange, and Arthur Hoppock Hearn Fund, 1983
    © The Estate of Philip Guston, Courtesy Hauser & Wirth
    Courtesy The Metropolitan Museum of Art

  • Delirious: Art at the Limits of Reason, 1950-1980

    Image Credit: Hyla Skopitz

    Howardena Pindell (American, born 1943)

    Memory Test: Free, White & Plastic (#114)

    1979–80

    Cut and pasted and painted punched paper, acrylic, watercolor, gouache, ink, thread, nails, mat board, sprayed adhesive, and plastic on cardboard
    207/8 × 207/8 in. (53 × 53 cm)
    The Metropolitan Museum of Art, New York, Arthur Hoppock Hearn Fund, 1980

    © Howardena Pindell
    Courtesy The Metropolitan Museum of Art, photo by Hyla Skopitz

  • Delirious: Art at the Limits of Reason, 1950-1980

    Robert Smithson (American, 1938–1973)

    Untitled (Ascribed to Arisleus)

    1962

    Ink on paper
    18 × 24 in. (45.7 × 61 cm)
    Courtesy of Holt-Smithson Foundation and James Cohan, New York © Holt-Smithson Foundation/Licensed by VAGA, New York, NY

  • Delirious: Art at the Limits of Reason, 1950-1980

    Image Credit: Zeray

    Robert Smithson (American, 1938–1973)

    Three Mirror Vortex

    1965

    Stainless steel and 3 mirrors
    351/2 × 281/2 × 245/8 in. (90.2 × 72.4 × 62.5 cm)
    The Metropolitan Museum of Art, New York, Gift of Larry Aldrich, 1981 © Holt-Smithson Foundation/Licensed by VAGA, New York, NY Courtesy The Metropolitan Museum of Art

  • Delirious: Art at the Limits of Reason, 1950-1980

    Image Credit: Dahab Kathy

    Andy Warhol (American, 1928–1987)
    Printed by Silkprint Kettner, Zurich; published by Bruno Bischofberger Electric Chair
    1971
    Screenprint from a portfolio of ten
    35 1/2 × 48 in. (90.2 × 121.9 cm)
    The Metropolitan Museum of Art, New York, Gift of Robert Meltzer, 1972 © 2017 Andy Warhol Foundation / Artists Rights Society (ARS) New York Courtesy The Metropolitan Museum of Art, photo by Kathy Dehab

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