Valentino
Valentino
Valentino
Matte, full-coverage lipstick is back, be it bright—almost fluorescent—as at Jean Paul Gaultier, Jean-Paul Knott and Roland Mouret in shades of red, orange and pink, or deep cherry as at Dior.
Hair backstage at Dior.
Chanel
Christian Lacroix
Matte, full-coverage lipstick is back, be it bright—almost fluorescent—as at Jean Paul Gaultier, Jean-Paul Knott and Roland Mouret in shades of red, orange and pink, or deep cherry as at Dior.
Roland Mouret
Valentino
Alexis Mabille
Jean Paul Gaultier
Lacroix’s models sported faux-hawks laced with black macramé.
Matte, full-coverage lipstick is back, be it bright—almost fluorescent—as at Jean Paul Gaultier, Jean-Paul Knott and Roland Mouret in shades of red, orange and pink, or deep cherry as at Dior.
At Elie Saab, dark metallic shadow was paired with a natural lip for a sultry take.
Hair backstage at Dior.
Hair was simple, but no less effective in emphasizing the beautiful lines of the clothing, as with the simple crimped ponytail at Roland Mouret.
Jean Paul Gaultier’s bangs with strips of brightly colored net peeking out from underneath or elaborately caged updos echoing the shape of the clothes.
The stark smoky eye of the ready-to-wear gave way to a softer eye at the couture. Peter Philips used cloudy grays at Chanel, augmented with strong liner.
Matte, full-coverage lipstick is back, be it bright—almost fluorescent—as at Jean Paul Gaultier, Jean-Paul Knott and Roland Mouret in shades of red, orange and pink, or deep cherry as at Dior.
Jean Paul Gaultier, Jean-Paul Knott and Roland Mouret in shades of red, orange and pink, or deep cherry as at Dior.
Valentino deep bronzed eyes gave the face a polished look.
Valentino