• The Met’s Andrew Bolton Explains the Ins and Outs of ‘Camp’

    The Costume Institute’s new show features an array of designers old and new to spotlight the many interpretations of camp.
    Image Credit: Masato Onoda/WWD

    The Costume Institute’s new show features an array of designers old and new to spotlight the many interpretations of camp.

  • The Met’s Andrew Bolton Explains the Ins and Outs of ‘Camp’

    Manish Arora’s spring 2009 polychrome silk-synthetic plain weave top with a carousel skirt adorned with orange crystals, polychrome paillettes, seed beads, cotton-and-metal thread and vinyl appliqué.
    Image Credit: Masato Onoda/WWD

    Manish Arora’s spring 2009 polychrome silk-synthetic plain weave top with a carousel skirt adorned with orange crystals, polychrome paillettes, seed beads, cotton-and-metal thread and vinyl appliqué.

  • The Met’s Andrew Bolton Explains the Ins and Outs of ‘Camp’

    “Is it too much?” was a question that chief curator in charge Andrew Bolton asked in making selections for the show.
    Image Credit: Masato Onoda/WWD

    “Is it too much?” was a question that chief curator in charge Andrew Bolton asked in making selections for the show.

  • The Met’s Andrew Bolton Explains the Ins and Outs of ‘Camp’

    Erdem Moralioğlu paid tribute to Frederick “Fanny” Park’s and Ernest “Stella” Boulton’s “drag wardrobe” in his spring 2019 collection.
    Image Credit: Masato Onoda/WWD

    Erdem Moralioğlu paid tribute to Frederick “Fanny” Park’s and Ernest “Stella” Boulton’s “drag wardrobe” in his spring 2019 collection.

  • The Met’s Andrew Bolton Explains the Ins and Outs of ‘Camp’

    In the 20th century, the sailor emerged as a figure of camp queerdom and homoerotic desire. Jean Paul Gaultier’s white and navy silk jersey with pants embroidered with blue paillettes.

    Image Credit: Masato Onoda/WWD

    In the 20th century, the sailor emerged as a figure of camp queerdom and homoerotic desire. Jean Paul Gaultier’s white and navy silk jersey with pants embroidered with blue paillettes.


  • The Met’s Andrew Bolton Explains the Ins and Outs of ‘Camp’

    A Cristóbal Balenciaga evening ensemble from fall 1961 and a fall 2018 one from Jeremy Scott for Moschino embroidered with purple ostrich feathers, and polychrome printed feather and paper butterflies.
    Image Credit: Masato Onoda/WWD

    A Cristóbal Balenciaga evening ensemble from fall 1961 and a fall 2018 one from Jeremy Scott for Moschino embroidered with purple ostrich feathers, and polychrome printed feather and paper butterflies.

  • The Met’s Andrew Bolton Explains the Ins and Outs of ‘Camp’

    Examples off camp were also evident in over-the-top headpieces.
    Image Credit: Masato Onoda/WWD

    Examples off camp were also evident in over-the-top headpieces.

  • The Met’s Andrew Bolton Explains the Ins and Outs of ‘Camp’

    Camp is “ideas, held in a special playful way,” according to Susan Sontag.
    Image Credit: Masato Onoda/WWD

    Camp is “ideas, held in a special playful way,” according to Susan Sontag.

  • The Met’s Andrew Bolton Explains the Ins and Outs of ‘Camp’

    Viktor & Rolf’s pink synthetic tulle appliquéd with off-white, yellow and green synthetic tulle dress from spring 2019 haute couture.
    Image Credit: Masato Onoda/WWD

    Viktor & Rolf’s pink synthetic tulle appliquéd with off-white, yellow and green synthetic tulle dress from spring 2019 haute couture.

  • The Met’s Andrew Bolton Explains the Ins and Outs of ‘Camp’

    A resort 2018 dress from Gucci with a trompe l’oeil drapery motif (far right), and Karl Lagerfeld’s interpretation of the effect.
    Image Credit: Masato Onoda/WWD

    A resort 2018 dress from Gucci with a trompe l’oeil drapery motif (far right), and Karl Lagerfeld’s interpretation of the effect.

  • The Met’s Andrew Bolton Explains the Ins and Outs of ‘Camp’

    A fall 1990 dress from Moschino by Franco Moschino is featured in the area that references Versailles as a sort of “camp Eden.”
    Image Credit: Masato Onoda/WWD

    A fall 1990 dress from Moschino by Franco Moschino is featured in the area that references Versailles as a sort of “camp Eden.”

  • The Met’s Andrew Bolton Explains the Ins and Outs of ‘Camp’

    The over-the-top creations of Tomo Koizumi qualify as camp. Here, one of the two designs from his fall 2019 collection that are featured in the show.
    Image Credit: Masato Onoda/WWD

    The over-the-top creations of Tomo Koizumi qualify as camp. Here, one of the two designs from his fall 2019 collection that are featured in the show.

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