“An Incomplete History of Protest”
Donald Moffett (b. 1955), He Kills Me, 1987. Offset lithograph, 23 1/2 x 37 1/2 in. (59.7 x 95.3 cm). Gift of David W. Kiehl in memory of artists and artworkers who died of AIDS 2012.160 © Donald Moffett
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Image Credit: Robert Gerhardt and Denis Y. Sus -
“An Incomplete History of Protest”
Image Credit: Robert Gerhardt and Denis Y. Sus William N. Copley (1919-1996), Untitled (Think/flag), 1967. Screenprint, 20 7/8 x 25 3/4 in. (53 x 65.4 cm). Whitney Museum of American Art, New York; purchase, with funds from the Print Committee 2006.50.4 © William N. Copley Estate / Copley LLC / Artists Rights Society (ARS), New York
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“An Incomplete History of Protest”
Image Credit: Robert Gerhardt and Denis Y. Sus Guerrilla Girls (est. 1985), How Many Women Had One-Person Exhibitions at NYC Museums Last Year?, 1985. Poster, 17 x 22 1/16 in. (43.2 x 56 cm). Whitney Museum of American Art, New York; purchase, with funds from the Print Committee 2015.8.3 © Guerrilla Girls
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“An Incomplete History of Protest”
May Stevens (b. 1924), Dark Flag, 1976. Acrylic on canvas, 60 1/8 x 60 1/8 in. (152.7 x 152.7 cm). Whitney Museum of American Art, New York; gift of the artist 2005.34 © May Stevens; Courtesy of the artist and RYAN LEE Gallery, New York
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“An Incomplete History of Protest”
Image Credit: Robert Gerhardt and Denis Y. Sus Guerrilla Girls (est. 1985), Guerrilla Girls Review the Whitney, 1987. Offset lithograph, 22 x 17 in. (55.9 x 43.2 cm). Whitney Museum of American Art, New York; purchase 2000.91 © Guerrilla Girls
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“An Incomplete History of Protest”
Gordon Parks (1912-2006), Bandaged Hands, Muhammad Ali, 1966. Gelatin silver print, 13 5/16 x 9 1/4 in. (33.8 x 23.5 cm). Whitney Museum of American Art, New York; purchase, with funds from Joanne Leonhardt Cassullo, The Dorothea L. Leonhardt Fund at The Communities Foundation of Texas, Inc., and Michèle Gerber Klein 98.59 Courtesy of and © The Gordon Parks Foundation
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“An Incomplete History of Protest”
Toyo Miyatake (1895–1979), Untitled (Opening Image from Valediction), 1944. Gelatin silver print mounted on board, 9 7/16 x 7 5/16 in. (24 x 18.6 cm). Whitney Museum of American Art, New York; purchase with funds from the Photography Committee 2014.243 © Toyo Miyatake Studio
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“An Incomplete History of Protest”
Image Credit: Robert Gerhardt and Denis Y. Sus Keith Haring (1958-1990), Ignorance = Fear / Silence = Death, 1989. Offset lithograph, 24 1/16 x 43 1/16 in. (61.1 x 109.4 cm). Whitney Museum of American Art, New York; gift of David W. Kiehl in honor of Patrick Moore 2014.265 Keith Haring artwork © Keith Haring Foundation
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“An Incomplete History of Protest”
Image Credit: Denis Y. Suspitsyn Vietnam Referendum ’70, Let the People Vote on War!, 1970. Offset lithograph, 19 1/2 x 13 1/2 in. (49.5 x 34.3 cm). Whitney Museum of American Art, New York; purchase, with funds from The American Contemporary Art Foundation, Inc., Leonard A. Lauder, President 2017.10.341
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“An Incomplete History of Protest”
![Heap-of-Birds [Hachivi], Edgar](https://martav.shop/wp-content/uploads/2017/08/2007_91_heap-of-birds1.jpg?w=300)
Image Credit: Robert Gerhardt and Denis Y. Sus Edgar Heap of Birds (b. 1954), Relocate Destroy, In Memory of Native Americans, In Memory of Jews, 1987, from American Policy, 1987. Pastel on paper, 22 x 29 13/16 in. (55.9 x 75.7 cm). Whitney Museum of American Art, New York; gift of Dorothee Peiper-Riegraf and Hinrich Peiper 2007.91
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“An Incomplete History of Protest”
Image Credit: Robert Gerhardt and Denis Y. Sus Carol Summers (1925-2016), Kill for Peace, 1967, from ARTISTS AND WRITERS PROTEST AGAINST THE WAR IN VIET NAM, 1967. Screenprint and photo-screenprint with punctures on board, 23 3/8 x 19 1/4 in. (59.4 x 48.9 cm). Whitney Museum of American Art, New York; purchase, with funds from the Print Committee 2006.50.14 © Alexander Ethan Summers
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“An Incomplete History of Protest”
Image Credit: Tim Nighswander:Imaging4Art Annette Lemieux (b. 1957), Black Mass, 1991. Latex, rhoplex, gesso, and oil on canvas, 95 13/16 x 105 x 1 13/16 in. (243.4 x 266.7 x 4.6 cm). Whitney Museum of American Art, New York; promised gift of Emily Fischer Landau P.2010.173 © Annette Lemieux
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“An Incomplete History of Protest”
Image Credit: Denis Y. Suspitsyn Theaster Gates (b. 1973), Minority Majority, 2012. Decommissioned fire hoses and vinyl on plywood, 66 x 111 1/2 x 3 3/4 in. (167.6 x 283.2 x 9.5 cm). Whitney Museum of American Art, New York; gift of Barbara and Michael Gamson 2016.262 © Theaster Gates. Photo © White Cube (Ben Westoby)