Bridget Foley’s Diary: Window Dressing the Barneys Way — Fearlessly
Rei Kawakubo’s piece of multiple puffs of stuffed sheeting with Avenza, a brown latex pod-type creation by Louise Bourgeois.
Rei Kawakubo’s piece of multiple puffs of stuffed sheeting with Avenza, a brown latex pod-type creation by Louise Bourgeois.
A Kawakubo spring 2015 “Blood and Roses” look, crafted from several belts.
Barneys New York’s “creativity in progress” sign signaled the Rei Kawakubo and Louise Bourgeois windows were taking shape, and were unveiled on April 28.
Barneys New York’s “creativity in progress” sign signaled the Rei Kawakubo and Louise Bourgeois windows were taking shape, and were unveiled on April 28.
A Kawakubo spring 2015 “Blood and Roses” look, crafted from several belts.
Barneys New York’s “creativity in progress” sign signaled the Rei Kawakubo and Louise Bourgeois windows were taking shape, and were unveiled on April 28.
Barneys New York’s “creativity in progress” sign signaled the Rei Kawakubo and Louise Bourgeois windows were taking shape, and were unveiled on April 28.
Barneys New York’s “creativity in progress” sign signaled the Rei Kawakubo and Louise Bourgeois windows were taking shape, and were unveiled on April 28.
Jerry Gorovoy and Dennis Freedman discuss the nuances of the looks for the windows.
The details of the red leather and fur piece, and the latex dress is set in place.
Rei Kawakubo’s red leather and fur piece from the fall 2016 “18th Century Punk” collection between two Louise Bourgeois’ latex pieces from “Confrontation.”